This can add back punch to flat, lifeless tracks.
It’s worth experimenting with upwards expansion set to accentuate the transients of a performance. Once a track has been squashed, there’s little you can do to save it. Over-Compressed Tracks: Upwards Expansion I haven’t tried it personally, but it looks great. To learn how to pull this off in detail, read my tutorial on multiband compression.Īlso-iZotope RX 5 Advanced has a De-plosive tool that may be worth exploring. This technique is far from perfect, but it gets the job done. This way, you’ll retain as much of the fullness and body of the vocal as possible. Set it to compress the low end, but only when it becomes a problem. Filtering can leave the vocal sounding thin, and automation can take hours to pull off.Ī better approach is to use a multiband compressor. Since the resulting problems are often inconsistent, they can be tricky to tame. There’s nothing worse than mixing a vocal that was recorded too close to the mic. Too Close To The Mic: Multiband Compression Just remember to set the quality to high. Since this plugin is processor intensive, you’ll get best results by using it offline and committing the results to audio. While it won’t remove clipping or distortion completely, it does a great job at reducing it. Clipping & Distortion: iZotope RX De-clipĭe-clip is a lifesaver. These techniques will help you solve most problems quickly, so you can move on and start mixing sooner. Here are my favorite ways to fix poorly recorded tracks. In reality, we often fix as much as we mix. While we all dream of days like these, they rarely happen. Mixing feels effortless. You feel like a rockstar. There’s nothing better than mixing perfectly recorded tracks.